Thanks to EveryDejaVu.com for this review on one of my Afrofuturism albums called Three Moons Later. I was amazed to read that he caught the African polyrhythms in the tracks, and I actually used to do an African drumming workshop when I was younger in a place called The Watershed, which I adapted in my tracks. You can click the link below to go to the review and read and hear the album.Â
Gas No Light’s ‘Three Moons Later’ is the soundtrack to Black history and it’s future
Â
I was 6 when I became a flyer boy, it was in the main centre of Bristol, the old Bristol, and I used to shove flyers in people’s hands it was then when I saw the New Year’s Eve flyer to one of the events but it was then when I deceied I wanted to be a Graphic Designer I was practicing drawing at first before I picked up the keyboard and piano. We used to meet at a place called the Fire Station in the main centre of Bristol which was also a studio and a well used studio the place is a radio station called Ujima a good radio station actually and the other place which was on the outskirts of a district called St Pauls but that’s now a music college called DBs.
I was four years old when I went to my first rave in the late summer of 1989 it was called Sunrise Back To The Future and was an all-night and day party that was the height of the illegal rave scene. It had live acts too, like Cry Sisco – Afrodizziac, Razzette – Ready For Love, E-Zee Posse – Everything Starts With A E, and Doug Lazy – Let It Roll. Also, it had its own fairground rides, coffee stand, bouncy castles and more. It was also quite packed, Also, there were live DJS like Carl Cox and Paul Trouble AndersonÂ
