Music News – New Album; Three Moons Later

May 16, 2024

Music News

15/05/2024 - New Album; Three Moons Later

About a year ago I made an album called Space Lemonade and my first Afrofuturism album which was mixed with African drums and synths. I liked the album but felt I could have emphasised the African space theme I had in mind so this is my second pull of my take on Afrofuturism in music. I won’t go into what is Afrofuturism in music as I probably save that for a blog post or something special in the form of a blog post or something else I still haven’t decided but in a nutshell, I think the genre is sci-fi mixed with African elements. It’s not really a big genre and has been done a few times so I thought I put my spin on the unknown genre and have some fun messing about with various sounds. As always I used you guessed it Splice.com for all the percussion loops which I loved and think makes the songs more what I want them to be African. I have my African drum one shots which I made various drum patterns with, I only used one or two loops on each track mostly at the start to get things underway but most of the drums apart from one were all that I made and I think makes the songs even more. For the synths, I used one plugin the mighty Matrix from Arturia for all those spacy and Sci-fi synthy sounds and not one I tend to use a lot in the collection but something I always pull up when making Sci-fi tracks as it was used on a lot of old Sci-fi soundtracks from films and TV so it’s the perfect tool to use for any Sci-fi or spacy tracks. The album is something a bit different and my second Afrofuturism album, it’s mixed with Afro beats with other infused genres like Reggae, House, Funk, Latin music and Hip Hop with also synthy stuff on every track. There are some synthy tracks then there are the House or Electronic Dance Music tracks which I made for a difference in the album and some of my favourites on the album and what I have made so far. I say it’s my second Afrofuturism album it’s my third as I have an unreleased album called Afro Cosmic Generation but as I said I wasn’t happy with the outcome and worked out what it needed. The albums was inspired by the film Black Panther and when I saw it in the cinema I was instantly inspired and wanted to make some music but only had a few resources at the time which is just one of the reasons why I underperformed the other reason was that my EQing and compressing wasn’t there but I could play the keyboard that I could do. The first track Homeland Mothership is a synthy number and one of the most synthy tracks on the album. It reminds me of the meeting of the mothership and has a dramatic but melodic bass to it which is more from the genre Progressive Rock which I’ve always been obsessed about and partly my love for synthesizer which started from an early age after learning how to play when I was seven but I properly started but I began at six. I had a tough time playing what is the chorus over the beat, not the one usually to have trouble but this one was hard to play and just about got the job done. I think it’s the percussion clap that sticks in the middle of the mix what does it and it’s rhythmic and melodic so it may have been harder for that reason. The next track Alien Pharoah is another synthy vibe and one of my favourites on the album as I like the way it blends a few minutes in and has this king-like feel to it which I do like. It reminds me of being on the moon but in a palace and entertaining the Pharaoh or king, it has a spacy though desert appeal to it and also reminds me of camels for some reason. The next track The Gray’s System Of Failure is another African synthy vibe and another favourite on the album. I really like the drumming which reminds me of belly dancing and dancing in general and I also like the synths on this one too which is melodic and goes well with the drums. I really can imagine a band playing this somewhere in Africa or the Middle East and I think the drumming is quite funky and danceable. The next track Arfrikan Tribesman is an Afro House track and another favourite and my overall favourite on the album. I like the pumping drums but the synths make the track which I used Matrix from Arturia and vocals from once again Splice.com. I was kind of laughing as I loved how it goes in and out with the crazy melodic sequencer and I think it is one of the best playable tracks I’ve made so far and deserve a play for sure. Moving on to the next track it’s called Brother Planet and has more synthy African vibes. This is more electronic as in space glitch without the space glitch IE technology and has this techy feel to it like robots are marching or something like that. I like the chorus and the second instrument that comes in which gives it that electronic space, robot, intergalactic space feel to it. The next track Alien Power is another Afro House, space vibe track which I like and something a bit different from the other one I made Afrikan Tribesman. I like the drums in this one and the calm synths that are played in and out and act as the chorus. I also like the ending there is something about that synth that does it I feel and makes the song more edgy, dark and mysterious. The next track Planet Suppression is an upbeat breakbeat track that is good for those steppers. I feel the whole world is suppressed and down due to the ever-changing world and the major factors like 9/11, the terrorist attacks and now COVID-19 and other diseases and threats lurking the world needs the happy gas. I didn’t think about doing a sad track to go with the title and don’t like to make songs to drink or to get down in the dumps to not that kind of drinking anyway but I thought I make an upbeat track and I got the breakbeat loop from Splice.com. The next track Space War Face is another synthy African vibe and I like the synth for the chorus and the drumming which is quite fast-paced. It reminds me of the desert again or being in space but in a space desert kind of like being on the moon. The next track Afro Gray is another Progressive Rock space track and another favourite on the album as I like the melodic bass and the synthy stuff too which I think you could stick this on and just relax or daydream. The last track Into The Black Orbis is yet another African synth vibe and more in the Synthwave G Funk region. It’s yet another favourite on the album as I like the synths and the 80s drums I used on this track only for something a bit different from the other nine tracks on this album. 

Spring Cleaning House Mix 2024

Gas No LightSpring Cleaning House Mix
{{svg_share_icon}}

1. Temperature

2. Stone Cold Grave (I’ll Be Pushin’ On)

3. Sea Goddess

4. Thunder & Lightning

5. Confidential

6. Below The Surface

7. Browsing For Destinations

8. Care

9. Beast In The Cave

10. Week Away

11. Existence

12. No Answer

13. Trapped

14. Celestial

15. Angels With Filthy Souls (Doorstep Material Remix)

Synth Deviant Mix 5

Gas No LightSynth Deviant Mix V
{{svg_share_icon}}

1. Yesterday Was Yesterday
2. Gold Fields
3. Catchy
4. Face Mask
5. Bump In The Night
6. R Us (Alternative Version)
7. Funky Greys
8. Years Go By
9. Future Brings Bright
10. Don’t Judge Me
11. No Justice In The World
12. Galactic Gadgets
13. Striking Hour
14. Long Cross

Music News – New Album; 6 Pack Remixes IV

May 7, 2024

Music News

06/05/2024 - New Album; 6 Pack Remixes IV

I decided to make some more remixes since I enjoy making them and it’s light work just arranging it another way. They are mostly released stuff except for one of them which is now unreleased and can’t be put out due to not having the right ID from my last account which was called Vision Of Colour. It’s more upbeat danceable stuff which you can also have on in the background if you are just chilling. The remixes are all House tracks but some of the original tracks are synthy stuff I made either not so long ago or quite a long time ago and does vary. I like to pick say synthy tracks and make a House remix out of it and like to see what it sounds like as a dance track for example. I would say this is dance music and is reminiscent of the early 90s dance scene with the heavy kicks and pumping basses. For the synth stuff I used some of the Korg Collection and it could be the M1 again but I did use different ones for the tracks. I know it was definitely Korg because I used it mostly on the original tracks like Has The Nightmare Started and Backstop. The other stuff were samples I found either from Splice.com or something I had on my computer like the basses were all from my own collection of basses and mostly loops which I cut down to a one-shot or one-hit as some people may call them. The first track Has The Nightmare Started (Remix) is a danceable 90s track that reminds me of 90s radio or radio in general, especially on a Friday and Saturday late night. I like the bass and the melodics and I would say is one of my favourites on the album for its old-school appeal to it, I don’t know it just reminds me of the flavour of the old-school seems like happiness you know ha. The next track Close Your Mouth (Remix) is another danceable track with an outrageous arp bass with the vocal overlay which I cut up myself from a sample I found on Splice.com. There’s something a bit Eddy about it and if you know the track you might hear the resemblance of the two tracks, it might be the arp which I think they used on that track. The next track Wormz (Remix) is a Deep House late-night track while the original I made was a Jungle/Drum and Bass track I made a couple of years ago now and is a far different track, this one is more of a relaxing track with soft vocals and deep melodic bass with a western feel to it which is the sample I found on my computer. It’s one of my favourites on the album and I like it for its soft side which I like to play on at night as it feels like nightlife if you are out raving still or are a raver and no longer go out. That’s why I like to play this sort of music it gives me what I need some nightlife and reminds me of being out and about when I was younger. The next track Galaxy Faded (Remix) is my overall favourite on the album and I loved the original which can be found on on my Afrofuturim album Space Lemonade an unreleased album but can be found on my Soundcloud page. I have more Afrofuturism music being released soon which is a cross between African music, Hip Hop, Funk, Reggae, House and synthy stuff it’s been uploaded just waiting a couple of weeks for the release I keep you posted. I like synths over the bass and drums which I think goes well together and for it being different from the other House tracks I make and reminds me of a car advert. The next track Talk About (What’s The Delay Remix) is another House remix for the books. I don’t usually make more than one remix of the track and did this one by accident but I’m glad I did as I quite like it and think it’s a danceable track. The original track was UK Funky so this is a bit different from that one and the other House remix I made which I think was on the last part. It’s one for the clubs and think it would work well there and also at home if you like cos you take the rave home with you lol. The last track Backstop (Remix) is a chilled deep bass but danceable feel track which is the remix to my Synthwave track Backstop. I like the arp to it and the bass with the dusty synthy sounds coming in every now and then acting as the chorus or hook. 

Music News – New Album; Destiny Awaits

April 19, 2024

Music News

19/04/2024 - New Album; Destiny Awaits

I’m back and this time with a short six-track Synthwave album because I felt like doing some as always so sure why not? I used my trusted AKAI MPK Mini and plugins from Arturia the V Collection as I love to use them a lot in all my synth stuff including Synthwave which I make when I’m in the mood like all the genres I make. I called it Destiny Awaits as I feel all our destinies are awaiting and to be fulfilled only we are all stuck in this cycle of self-doubt and unsureness that we can’t rise above the tomb and conquer what our destiny is whatever that is. I have to keep telling myself that I will get there with the right nudge push and fall but now isn’t the time for me with my illness, which I’m recovering from and what I think is a spine injury and some other complications from my mental health which is in the brain. I believe the medicine is doing good and doing what it’s meant to be doing which is stopping the bad side effects of a mental illness. But it’s true all our destiny awaits and not in the fate way cos some people are mixed up in that goth life aka death and corrosion lifestyle and need to see a brighter day but of course be careful of getting destiny mixed up with fate. Fate is death and a negative whilst destiny is a mission to fulfil and for example marry your childhood sweetheart or get that job you so hard practised for or associated with, that’s my definition of fate and destiny but each to their own. There was a post by none other than Jack Jumping Frost a well-known English Producer, DJ and MC who was one of the originals who DJ’d Jungle and Drum and Bass and has been going for quite some time now. Anyway long story short he had this statement where he said you must be willing to fail to win and how it will teach a lesson and it’s true. Your destiny isn’t to say it wasn’t my time or destiny but keep pushing and making baby steps as you go something I think Kelly Rowland and the famous Ciara said if you know you know lol, oh yeah and that lady with the fan action. It’s easy to give up and let the haters eat away at you but what they seem to fail to understand and contemplate is you have good and bad days it is swings and roundabouts so don’t feel like you failed or no one cares it probably was the wrong time or not something they are interested in unless you suck at your craft. The point is a couple of points actually but number one never listen to a naysayer they are diseased and are past their bedtime, number two believe in your craft or know with enough time and effort you will conquer whatever it is you are doing and get better. Number three never chase the dragon yeah you got a few likes and comments on your last whatever it is but it is swings and roundabouts and you are competing with other people but walk away if it’s past your quote of what you find acceptable but only if you have a backup plan or you believe in thirst mites shall we call them, stay hydrated people. I think it’s unfair to sell unsalable dreams but they sell you them anyway all to get your money and basically scam you or get you into debt with the lifestyle you will acquire once those stocks go up which reminds me of how to do those YouTube ads about BitCoin and shares get passed it seems a bit Pyramid Scheme where the little man is sold dreams and gets nothing but pips and ash from the fat cat’s cigars “please sir can I have some more.”  Moving on to the tracks I made the first track Eat This is a synthy Synthwave track and is one of my favourites on the album. I like the synths and I like the nighttime feel to it it feels late night and a bit mysterious and something about it. The bass is nice and chilled and sounds like a Sine to me over the other synths which I think I was using the Prophet stuff from Arturia and there are a couple of them so I’m unsure what model it is but it’s one of them. I liked the feel of those synths quite a lot and were quite popular in the 80s by 80s pop bands. The next track Has The Nightmare Started is a surreal and dark track and again one of my favourites on the album. It has my favourite bass rhythms which resemble the Progressive Rock bass and are quite melodic. I also like the synths to this and add to the dark and surreal feel to it. There is a remix to this song that will be out soon on the 6 Pack remixes where I make six remixes of the old stuff I mostly put out on Spotify etc that will be out in a few weeks. The next track Backstop is another dark and mysterious track I also made a remix to and will be out on my 6 Pack Remixes album in the next couple of weeks. I used to like using the sequencer quite a lot so it was good to use one again after a long break from using them. They all have them on there and good ones so I might actually make a sequencer EP or album sometime. I also like the strings on this one which makes it sound heavenly but dark heavenly with that sequencer in the background and awful bass. The next track Remember You is a melodic happy church vibe song which I like and makes me happy. It has more sequencer vibes on and I like that and the bass which gives it a jolly awake track if you know what I mean. It does have a touch of darkness but is mostly a pleasant happy track. The next track Let Go (Inside Fear) is my overall favourite on the album and I like the bass and the claps over the melodic synths which like all the others on this album I used the Prophet from the V Collection from Arturia. I also like its mysteriousness and the tinge of darkness it has to it and I like to use it quite a lot in my music, especially my synthy stuff. I like to keep clear of generic even though sometimes I make generic tracks but I tend to stay away from those kinds of sounds. The last track Search For Me is another favourite on the album it has a bright synth and dark once again Progressive Rock bass which I love to use a lot and like to play that way as I like the melodic bass feel to it. I also like the strings to it and the bits that are repeated after the first synth pattern. It has that nighttime feel too which I like and also appeals to the daytime too. The bit in the middle that repeats reminds me of the melody to Three Blind Mice which I didn’t do on purpose it just happened so don’t sue me lol.  

Music News – New EP; Like A Cow In The Night

April 10, 2024

Music News

28/03/2024 - New EP; Like A Cow In The Night

I felt like doing some Jungle/Drum and Bass I haven’t done any for a while now so I thought I’d make some. I called it Like A Cow In The Night as I thought it was a good title and also some people are like cows in the night they sleep standing and with one eye open looking out for the wolves but less is said about that. The four-track EP is more rave music and stuff to have on in the background and stuff I like to listen to in a rave or at home or somewhere, music like this. I like to make Jungle/Drum and Bass now and then and is good to have a break from the other genres plus I like to make remixes of other genres and I’ve remixed one track from this EP Close Your Mouth which will be out in the next couple of weeks. It’s a House remix that I quite like actually and is something different but I’ll keep you posted when it is out. If you want to listen to it now it’s on my Soundcloud page where I post everything that I make including my unreleased music and the first place I post so come follow me on there and stay up to date with all the music I make. I used Breaks as always from Splice.com also the vocals which you should know by now I get all my loops including vocals from Splice.com and is my favourite place to go to get loops. I don’t use a lot of I only use drums, breaks and vocal loops which I do this and that with but I like to make the stuff myself it’s just some things sound better like the drums even though I would say I’m an alright drummer. It didn’t take that long to make I made it in the night and took around 8 hours to make two hours on each track. It’s how I get the job done and I always seem to know what I’m going to play or do once I hear the break loop that seems to add certain elements to the track but not all the time. As always I used the M1 for some of the synthy stuff but the bass and also some of the synthy stuff I used from a Reggae sample pack which I like to use a lot in my Jungle/Drum and Bass seems to have the right textures and sounds which I like to use in my Jungle/Drum and Bass which is the Sine wave the original and bad boy of the bass family. There are other waveforms like Triangle, and Square also popular choices for bass other than the Sine. For those who don’t know what a waveform is, it is a noise type generated by an oscillator which generates certain sounds like the Sine is good for bass but also for chime sounds and glassy sounds whereas the square and Triangle waveform is used for Chiptune and has a more harsher sound with the filter on and is screechy but can also be used for basess to. On a quick recap, the Sine wave is more deep and bassy whereas the Triangle and Square waveform is more high-pitched. The Triangle is the most high-pitched out of the three the square is also bassy but has high-pitched sounds which is why it’s also good for basses with some high-end in or high-pitched sounds but not the chipmunk high-pitched sounds it’s sort of like a Cello on it’s high strings mixed with 90s internet dial-up sort of. The first track Manic Dramatics is one for the club and something to dance to if you want. It’s one of my favourites on the EP and I like the franticness of it I think it is danceable and something to dare I say shock out to. I like the bass and the reggae synth which I found on a Reggae sample pack I was on about earlier. The next track I Can Love You is a radio-friendly track that is also danceable and one for the club after dark. I like the bass which is quite bassy and I also like the vocals which I said a million times now I got off Splice.com. It’s also something to have on in the background in your house or whatever and I think is kind of a hype song but is also chilled but still danceable. The next track Every Time is my overall favourite on the EP and I like the Darkness and shock-out appeal to it but again it’s also one for the bedroom or wherever you are listening music to. I used cinematic loops which I found on Splice.com and liked the sounds. I think it sounds a bit mysterious and deep and reminds me of being in a rave dancing 100 miles per hour. I love the breaks on this one they are frantic and choppy which is what I like in my breaks and favour more but I like to vary it with other kinds of breaks for the sound difference. The last track Close Your Mouth is another favourite on the EP. I like the feel of it and feels like you are walking down the street on a nice day. I also like the breaks which are also the breaks I favour when making Jungle/Drum and Bass and think they also go well with the stuff I put in. It’s a nice happy jolly track that is danceable or for chilling with but more for dancing as I like to make music to dance to. Â