Rebitten By The Lizard Re-Mix

Gas No LightRebitten By The Lizard Re-Mix
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  1. Pulse (Blouses & Big Girls Version)
  2. Washed Up
  3. Lighthouse (Alternative Version)
  4. Friendly Locals
  5. Mediterranean Pasty
  6. Fortune (£2 Up Alternative Version)
  7. Sea Goddess (Queen Of The Sea Alternative Version)
  8. Mist (East Beach Alternative Version)
  9. Working At The Serpentine
  10. Beneath The Surface
  11. Max
  12. Pandemic (Chernobyl Alternative Version)
  13. Pandemic (Gore Box Remix)
  14. Pulse (The Non Dramatics Remix)
  15. Sea Goddess (Watch Over The Sea Remix)
  16. Lighthouse (Shine Bright Remix)
  17. Working At The Serpentine (Those Legs Are Evil Remix)

Played Out – Most Played Mix #1 (May 2024)

Gas No LightPlayed Out - Most Played Mix 2024
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  1. Gold Fields 
  2. Enough With The Heartache 
  3. Get It Done
  4. Blessing In Disguise
  5. Future Brings Bright
  6. Lost Soul
  7. Needing
  8. Lying On The Soul
  9. Inner Thoughts
  10. Rushing For It 

Music News – New EP; Call And Send

May 25, 2024

Music News

17/05/2024 - New EP; Call And Send

Some more Jungle/Drum and Bass for you with this three-track EP there was another one but it got vito by my distributor but bare with me as I’m reloading it for another EP or album coming real soon…probably lol. I called it Call and Send as calling and sending is an old pass time and is based around a phone call with the start, middle and end of a voicemail call the process I mean. They are all old tracks I made around 2019 to 2020 when I was making a lot of good Jungle and Drum and Bass and I thought they were good enough for the major releases and to rerelease as a major release available on all major music platforms. It’s funny as the tracks weren’t based around a phone call at first but were of various EPs I made so it wasn’t until now when I looked at the track list names and thought of the idea of it being a phone call. Also, it’s a follow-up to one of my unreleased EPs called Cold Caller a synthy EP I made and can be found on my paid Bandcamp and Soundcloud page. As always if you didn’t know by now I use Splice.com for all the vocal samples in this EP and some good ones really came out good I think, and one off the internet also which I can’t remember where I got it from it could also be from Splice.com. For the basses, I used a Reggae sample pack which has a lot of good clean and dirty dub basses which are an essential mix for making a Jungle/Drum and Bass track or I could have got them off Splice.com as I was using more of their bass samples more often around that time but I do like that sample pack it makes the tracks more the way I like it to sound bassy, old skool/new school and siny.  It’s also funny as I hate speaking on the phone and to strangers, you always get the cold callers and the pre-recorded messages about double glazing, solar panels or something tax-related. But I hate speaking on the phone it makes me nervous even though sometimes I actually can do it I have to know you to fully have a conversation with you or to break the ice which is what they are actually good at doing so I don’t know what the fuss is lol. That’s why email is the best form of contact for me I don’t know why I just don’t like to speak on the phone or even worse on the live chat although one day I will be there but for now, I’m going to sit myself down and have a nice one and a cup of coffee.. ahh! The first track Leave A Message is an upbeat rave track I made sometime in 2019 to 2020. I used a voicemail message or what they call a footnote on the track “The number you have dialed is not available at present please check the number and try again” You know that dreaded message looks like someone is playing hot potato lol. I like the bass on this one and the vocal sample chop-up of the ringtone and the voice footnote which I actually can’t remember where I got it from but it was definitely a find. The next track Leave A Message (I Hate Ya) is the response to the first track on this EP and one of my overall favourites that I made so far and off this EP. I like the pickup in the middle and love the vocals I used especially the hook and the pickup of the track which is in the middle when it changes. I also like the dramatic strings  I used in the pickup or when it changed to more of the furious dance session. I would say this one is for the club and to be played loud and is good release music. I got the vocal samples from Splice and I like the last vocal the most which I think makes the track into a good old-fashioned underground track. The last track The Reply (You’re Cray Cray) is the response to the last track and what the other person who received the voicemail said. It features me and I used my own voice and an adlib I quickly said down the microphone and made it around 2019 originally. It’s another favourite on the EP and I like the frantic synth and bassy bass over the pitched-up vocals of mine which I chopped up and made something out of. It’s another one to dance to and for the rave or to have loud if you like but not too loud lol.     

What Genre Do You Want Me To Make Next

May 25, 2024
Uncategorised

I like to make different genres of music I have a wide range of tools and plugins to cover most genres. So please pick a genre below of what you want me to make next?

Patreon Platinum Tier Monthly Update; May 2024

Patreon Platinum Tier Monthly Update May 2024

My first platlium-tier monthly offering, it consists of;

*2  Synthwave albums which  are called  Free Range Love and Destiny Awaits. 

*1 House EP The Night Is Young,

*2 UK Funky EPS Black Smoke In The Mirror and A Lil’ Funky,

*2 Jungle/Drum and Bass EP called Day In A Life and Like A Cow In The Night

*1 House single called Resolution. I made and wrote it around 2018 and did feature on an old album but I thought I’d put it as a four-track single too. I made the other three tracks recently after finding the vocal sample again and it’s the male perspective of Aaliyah’s We Need A Resolution and I wrote it line for line changing the words to responses and questions and answers back. 

*2 House Mini albums of my House remixes called 6 Pack Remixes II and III.

*2 general synthy album Rebitten By The Lizard my holiday album when I went to Lizard in Cornwall here in the UK in 2017. And then Social Distance my COVID-19 album I made in the midst of the first lockdown when it was new and dare I say exicting. 

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Patreon Silver Tier Monthly Update; May 2024

Patreon Silver Tier Monthly Update May 2024

My first silver-tier monthly offering. It consists of

*1 album which is the released Synthwave album called  Free Range Love

*1 House EP The Night Is Young,

*2 UK Funky EPS Black Smoke In The Mirror and A Lil’ Funky

*1 Jungle/Drum and Bass EP called Day In A Life

*1 Synthwave  EP called Journey Through The Life 

*1 House single called Resolution. I made and wrote it around 2018 and did feature on an old album but I thought I’d put it as a four-track single too. I made the other three tracks recently after finding the vocal sample again and it’s the male perspective of Aaliyah’s We Need A Resolution and I wrote it line for line changing the words to responses and questions and answers back. 

Patreon Gold Tier Monthly Update; May 2024

Patreon Gold Tier Monthly Update May 2024

My first gold-tier monthly offering. It consists of

*1 album which is the unreleased COVID-19 album I made amid the start of the Lockdown and is a synthy album.

*1 House EP The Night Is Young

*1 House single which is called Resolution. I made and wrote it around 2018 and did feature on an old album but I thought I’d put it as a four-track single too. I made the other three tracks recently after finding the vocal sample again and it’s the male perspective of Aaliyah’s We Need A Resolution and I wrote it line for line changing the words to responses and questions and answers back. 

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Music News – New Album; Three Moons Later

May 16, 2024

Music News

15/05/2024 - New Album; Three Moons Later

About a year ago I made an album called Space Lemonade and my first Afrofuturism album which was mixed with African drums and synths. I liked the album but felt I could have emphasised the African space theme I had in mind so this is my second pull of my take on Afrofuturism in music. I won’t go into what is Afrofuturism in music as I probably save that for a blog post or something special in the form of a blog post or something else I still haven’t decided but in a nutshell, I think the genre is sci-fi mixed with African elements. It’s not really a big genre and has been done a few times so I thought I put my spin on the unknown genre and have some fun messing about with various sounds. As always I used you guessed it Splice.com for all the percussion loops which I loved and think makes the songs more what I want them to be African. I have my African drum one shots which I made various drum patterns with, I only used one or two loops on each track mostly at the start to get things underway but most of the drums apart from one were all that I made and I think makes the songs even more. For the synths, I used one plugin the mighty Matrix from Arturia for all those spacy and Sci-fi synthy sounds and not one I tend to use a lot in the collection but something I always pull up when making Sci-fi tracks as it was used on a lot of old Sci-fi soundtracks from films and TV so it’s the perfect tool to use for any Sci-fi or spacy tracks. The album is something a bit different and my second Afrofuturism album, it’s mixed with Afro beats with other infused genres like Reggae, House, Funk, Latin music and Hip Hop with also synthy stuff on every track. There are some synthy tracks then there are the House or Electronic Dance Music tracks which I made for a difference in the album and some of my favourites on the album and what I have made so far. I say it’s my second Afrofuturism album it’s my third as I have an unreleased album called Afro Cosmic Generation but as I said I wasn’t happy with the outcome and worked out what it needed. The albums was inspired by the film Black Panther and when I saw it in the cinema I was instantly inspired and wanted to make some music but only had a few resources at the time which is just one of the reasons why I underperformed the other reason was that my EQing and compressing wasn’t there but I could play the keyboard that I could do. The first track Homeland Mothership is a synthy number and one of the most synthy tracks on the album. It reminds me of the meeting of the mothership and has a dramatic but melodic bass to it which is more from the genre Progressive Rock which I’ve always been obsessed about and partly my love for synthesizer which started from an early age after learning how to play when I was seven but I properly started but I began at six. I had a tough time playing what is the chorus over the beat, not the one usually to have trouble but this one was hard to play and just about got the job done. I think it’s the percussion clap that sticks in the middle of the mix what does it and it’s rhythmic and melodic so it may have been harder for that reason. The next track Alien Pharoah is another synthy vibe and one of my favourites on the album as I like the way it blends a few minutes in and has this king-like feel to it which I do like. It reminds me of being on the moon but in a palace and entertaining the Pharaoh or king, it has a spacy though desert appeal to it and also reminds me of camels for some reason. The next track The Gray’s System Of Failure is another African synthy vibe and another favourite on the album. I really like the drumming which reminds me of belly dancing and dancing in general and I also like the synths on this one too which is melodic and goes well with the drums. I really can imagine a band playing this somewhere in Africa or the Middle East and I think the drumming is quite funky and danceable. The next track Arfrikan Tribesman is an Afro House track and another favourite and my overall favourite on the album. I like the pumping drums but the synths make the track which I used Matrix from Arturia and vocals from once again Splice.com. I was kind of laughing as I loved how it goes in and out with the crazy melodic sequencer and I think it is one of the best playable tracks I’ve made so far and deserve a play for sure. Moving on to the next track it’s called Brother Planet and has more synthy African vibes. This is more electronic as in space glitch without the space glitch IE technology and has this techy feel to it like robots are marching or something like that. I like the chorus and the second instrument that comes in which gives it that electronic space, robot, intergalactic space feel to it. The next track Alien Power is another Afro House, space vibe track which I like and something a bit different from the other one I made Afrikan Tribesman. I like the drums in this one and the calm synths that are played in and out and act as the chorus. I also like the ending there is something about that synth that does it I feel and makes the song more edgy, dark and mysterious. The next track Planet Suppression is an upbeat breakbeat track that is good for those steppers. I feel the whole world is suppressed and down due to the ever-changing world and the major factors like 9/11, the terrorist attacks and now COVID-19 and other diseases and threats lurking the world needs the happy gas. I didn’t think about doing a sad track to go with the title and don’t like to make songs to drink or to get down in the dumps to not that kind of drinking anyway but I thought I make an upbeat track and I got the breakbeat loop from Splice.com. The next track Space War Face is another synthy African vibe and I like the synth for the chorus and the drumming which is quite fast-paced. It reminds me of the desert again or being in space but in a space desert kind of like being on the moon. The next track Afro Gray is another Progressive Rock space track and another favourite on the album as I like the melodic bass and the synthy stuff too which I think you could stick this on and just relax or daydream. The last track Into The Black Orbis is yet another African synth vibe and more in the Synthwave G Funk region. It’s yet another favourite on the album as I like the synths and the 80s drums I used on this track only for something a bit different from the other nine tracks on this album. 

Spring Cleaning House Mix 2024

Gas No LightSpring Cleaning House Mix
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1. Temperature

2. Stone Cold Grave (I’ll Be Pushin’ On)

3. Sea Goddess

4. Thunder & Lightning

5. Confidential

6. Below The Surface

7. Browsing For Destinations

8. Care

9. Beast In The Cave

10. Week Away

11. Existence

12. No Answer

13. Trapped

14. Celestial

15. Angels With Filthy Souls (Doorstep Material Remix)