Podcast Post – Bloody Duckery

September 14, 2024

BLOODY DUCKERY

HISTORY

Mary I (18 February 1516 – 17 November 1558), also known as Mary Tudor, and as “Bloody Mary” by her Protestant opponents, was Queen of England and Ireland from July 1553 and Queen of Spain and the Habsburg dominions as the wife of King Philip II from January 1556 until her death in 1558. She is best known for her vigorous attempt to reverse the English Reformation, which had begun during the reign of her father, King Henry VIII. Her attempt to restore to the Church the property confiscated in the previous two reigns was largely thwarted by Parliament, but during her five-year reign, Mary had over 280 religious dissenters burned at the stake in the Marian persecutions.

Mary was the only surviving child of Henry VIII by his first wife, Catherine of Aragon. She was declared illegitimate and barred from the line of succession following the annulment of her parents’ marriage in 1533, though she would later be restored via the Third Succession Act 1543. Her younger half-brother, Edward VI, succeeded their father in 1547 at the age of nine. When Edward became terminally ill in 1553, he attempted to remove Mary from the line of succession because he supposed, correctly, that she would reverse the Protestant reforms that had taken place during his reign. Upon his death, leading politicians proclaimed Mary’s and Edward’s Protestant cousin, Lady Jane Grey, as queen instead. Mary speedily assembled a force in East Anglia and deposed Jane, who was eventually beheaded. Mary was—excluding the disputed reigns of Jane and the Empress Matilda—the first queen regnant of England. In July 1554, she married Prince Philip of Spain, becoming queen consort of Habsburg Spain on his accession in 1556. After Mary’s death in 1558, her re-establishment of Roman Catholicism in England was reversed by her younger half-sister and successor, Elizabeth.

Mary determinedly refused to acknowledge that Anne was the queen or that Elizabeth was a princess, enraging King Henry. Under strain and with her movements restricted, Mary was frequently ill, which the royal physician attributed to her “ill-treatment”. The Imperial ambassador Eustace Chapuys became her close adviser, and interceded, unsuccessfully, on her behalf at court. The relationship between Mary and her father worsened; they did not speak to each other for three years. Although both she and her mother were ill, Mary was refused permission to visit Catherine. When Catherine died in 1536, Mary was “inconsolable” Catherine was interred in Peterborough Cathedral, while Mary grieved in semi-seclusion at Hunsdon in Hertfordshire.

In 1536, Queen Anne fell from the king’s favour and was beheaded. Elizabeth, like Mary, was declared illegitimate and stripped of her succession rights. Within two weeks of Anne’s execution, Henry married Jane Seymour, who urged her husband to make peace with Mary. Henry insisted that Mary recognise him as head of the Church of England, repudiate papal authority, acknowledge that the marriage between her parents was unlawful, and accept her own illegitimacy. She attempted to reconcile with Henry by submitting to his authority as far as “God and my conscience” permitted but was eventually bullied into signing a document agreeing to all of Henry’s demands. Reconciled with her father, Mary resumed her place at court. Henry granted her a household, which included the reinstatement of Mary’s favourite, Susan Clarencieux. Mary’s Privy Purse accounts for this period, kept by Mary Finch, show that Hatfield House, the Palace of Beaulieu (also called Newhall), Richmond and Hunsdon were among her principal places of residence, as well as Henry’s palaces at Greenwich, Westminster and Hampton Court. Her expenses included fine clothes and gambling at cards, one of her favourite pastimes.n 1537, Queen Jane died after giving birth to a son, Edward. Mary was made godmother to her half-brother and acted as chief mourner at the queen’s funeral. English coinage was debased under both Henry VIII and Edward VI. Mary drafted plans for currency reform but they were not implemented until after her death.

SUMMON BLOODY MARY

  1. Choose your playing space. You may play this game in virtually any indoor setting; the only requirement is that your playing space be capable of total blackout conditions, with no light bleeding in from the outside. An interior room without windows, such as a bathroom, is ideal. If the only options available to you have windows, be sure to block them fully.
  2. Gather your supplies. You will need a candle, matches or a lighter, and a mirror.
  3. Wait until nightfall, then bring your supplies to the playing space and enter it alone. If you haven’t already, prepare the room: block the windows, set up the mirror if necessary, turn out the lights, light the candle, and place it in front of the mirror.

4. Face the mirror. Make eye contact with yourself. Be brave; be fearless. Take a deep breath. And when you are ready, begin repeating the name “Bloody Mary.” Say it aloud, beginning softly, but adding volume with each repetition. Repeat it once, twice, three times—all the way up to thirteen repetitions. Thirteen is the magic number. Speak the thirteenth repetition with finality. Then, stop.

5. Look in the mirror, Look harder. What do you see? Is it just yourself? Are you sure? Look again—but stand back. Do not place yourself within arms’ reach of the mirror. She might scream at you, but you can handle screaming. If she’s able to grab you, though? There’s no coming back from that.

6. If you survive the experience, extinguish the candle, turn on the lights, and leave the room.

Do not use the mirror again.

ADDITIONAL INFORMATION:

A flashlight may be substituted for the candle; however, the success of the summoning may be somewhat less predictable.

  1. Begin the game precisely at midnight.
  2. Chant the name “Bloody Mary” three times instead of thirteen.
  3. Chant the name “Bloody Mary” seven times instead of thirteen.
  4. Run the water in the sink while chanting Bloody Mary’s name.
  5. Instead of gazing into the mirror while chanting Bloody Mary’s name, spin slowly in place. After the twelfth repetition, stop spinning, face the mirror, and chant the thirteenth repetition while looking into the mirror.
  6. Replace the chant of “Bloody Mary” with the chant “Bloody Mary, I stole your baby.”
  7. Replace the chant of “Bloody Mary” with the chant “I believe in Mary Worth.”
  8. There are no guaranteed ways to dispel Bloody Mary once she has been summoned, although various methods have been proposed. Some sources recommend drawing a cross on the mirror with soap for the three nights following the completion of the ritual. Others recommend burning sage in the playing space or flicking vinegar in the four corners of the room. You may, of course, try these methods, but don’t count on them working.
  9. Do not break the mirror.
  10. You wouldn’t want to let her out, would you?
  11. Flush the toilet and spin around thirteen times then look in the mirror.

Bandcamp News – New Album Release; Horror One-Liners

September 14, 2024

BANDCAMP NEWS

11/09/2024 - New Album; Horror One-Liners

This year’s Halloween album and this one comes in two parts the other album is a remix album of this one. I made quite a lot of stuff for Halloween this year including something to do with this album and the remix album I made. It all can be found on both my websites this website gasnolight.co.uk and my other site randomgas.com but it’s mostly on this site so for those who are subscribed to my mailing list you will get an email from me next month it’s scheduled for the 1st of October so hopefully you will get the email then or I’ll have to do it manually. This eight-track synth album is of horror film one-liners and I picked eight at random and put a lot of synths, FXs and drums behind it.  I haven’t watched a film let alone a horror film in quite a while tell a lie I watched one around 2021 when I watched Banana Split which was a horror remake of a 1960s kid’s TV program that went bust so they sold the rights away and they made the movie. It’s a good movie if you like creepy mascots and a whole lot of blood and gore I liked it anyway but I might watch some more horror films over Halloween and get into the spooky mood. The first track Freaks Accepted is from the film Freaks and is one of my favourite horror movies to watch as I’m really interested in Freak Circus, especially the old ones. I remember watching it first on the Horror channel which is a free channel on the Freeview box but I like the realness of it. The first track and is going to be a repetitive theme in this post but it’s dark and scary. I used the Arp from one of my synths from Arturia’s V Collection which I used the V Collection on all the tracks and I used drums from my own personal collection which was from the Mars Drum Pack, I also used samples from the film clip which I reversed and added reverb which is from, I used FXs on all the tracks too and is from Arturia FXs Collection. The next track Lock Jaws is from the film Jaws and again I used samples from the film sample like the strings and the vocals with other added FXs on top. When I can find samples with little instrumental parts to it I enjoy making tracks out of them and like to cut them up and use them over drums and synths. This one hasn’t got any synths on top as I thought I’ll leave it bare with just the strings from the film sample which I think goes quite well with the track. The next track Calling The Poltergiest is from the film Poltergeist which I used the famous one-liner with FXs and synthesizers on top of the beat. The film is older than it looks and is from the early 80s if you believe that. I’ve only seen it once so I can’t remember too much about it but maybe if I found it I should watch it I feel like watching all of the films mentioned on this album. The next track Fryday The 13th is from the film Friday The 13th and again, not a film I’ve seen dozens of times so I can’t remember too much about it but another film that is from the 80s and one of the most famous films out there from that era. Once again I used samples from the film sample including the creaky door which I put as a main bit of the track and the vocal sample which is off the weird man acting uncouthy. The next track Call For A Extocist is from the film The Exorcist and is a film I’ve seen several times now as it was on a lot on the TV and also I watched it online as well. I used the famous clip over the synths and some chanting which I used as a main bit of the track. The next track The Shining Day is from the film The Shining and again not a film I’ve seen many times I probably watched it once when it was on TV I might have watched it more than once who knows? I used the sample from the film with FXs and other stuff I added on top of the mix which I think worked alright for a dark Halloween track. The next track Living Dead Nights is from the film Night Of The Living Dead and again not a film I’ve seen too many times that I remember. I like this one and is my favourite on the album I don’t really care for the zombie FXs but I do like the way the film sample came out and think it makes it deranged and also intimidating. I might actually make another remix from this track sometime it might be Jungle/Drum and Bass as that’s what I’m hearing when I play it. The last track Carrie On is from the film Carrie and is a film I’ve seen several times since it’s been on the TV quite a lot when I was watching TV that is. I used another Arp over the film sample including the strings which I think I got from the film clip and also the basses which I used Artiria’s V collection for all the basses in this album. It’s another favourite film to watch even though I can’t remember too much about it but I know it’s a creepy film to watch especially alone it makes me worried about the strangers I might let in.