Music News – New EP; Tomorrow Will Come

December 15, 2024

Music News

26/11/2024 - New EP; Tomorrow Will Come

Tomorrow Will Come is a 4 track UK Garage EP I made not so long ago. I called it Tomorrow will come for some positivity and I also just thought it would be a good name for an EP title. We’ve all probably seen our darkest days if you haven’t sit down and enjoy the roller coaster ride but hopefully, the darkest days have gone. In my lowest days this is what I thought that tomorrow will come so please hold the line. Like all the vocal parts I found on Splice.com and for the drums as always I used my own drums I found from my packs which I bought on Loopmasters.com another good source for loops and one shots. I haven’t made much UK Garage so I thought I’d make some and try to make some more club bangers along the way or something to have on in the background or party whatever. I have made a few and still got the feeling of UK Garage so it was good to go back and make some more and have it as a release of mine as the stuff I did before was all unreleased stuff and can be found on my Soundcloud page if you are interested but good luck finding them. The first track I Saw It is a club hitter that hopefully gets you dancing and could be played at a party or in the club or a mix for whatever you like. It is a favourite on the EP and I like the vocals over the bass and drums which I actually got from Splice.com thinking about it now. I also like the bass at the end which finalizes the track and brings it to an end. I also like gushy cute vocals at the end too which are all from Splice.com. I either got the basses from my own collection of basses or from Splice.com but I like the bass for the first track too it’s a clean bass and a sine I think a good shape to have for the bass and fits with most  projects. The next track As We Go Round is my overall favourite on the EP and I love the vocals it really makes it clubby which is what I look for in my vocals but the vocals are my favourite thing on the track and are fit to rave out to and dance till you can dance no more. I think the vocals make the track into something you can listen to more than once and make you jump around like they say in the song. I like the ending too where it gets more frantic and something to dance even harder to. The next track Shorty Don’t Give It Up is another favourite on the EP and once again I love the vocals which make the song into something you can repeat and also play in the club or party or something to blast at home. I also like the bass which is an old-school pattern found in UK Garage and is a favourite pattern to use. I called it Shorty don’t give it up as they don’t give it up they are whores of Babylon I tell you every two minutes anyway.  Once again I like the ending where it gets more frantic and something to shock out to or dance even harder than before. The last track Bugged Out is another one I like on the EP as I like the vocals and the bass like always I like all the drum patterns I found on Splice.com  a good source to found some really good sounds. Once again it’s something to dance to and like all the tracks on this EP you could put it in your own mixes and also playlists for whatever you like but it’s good for parties and also the club.

Bandcamp News – New Album Release; Remix This Vol. 4

BANDCAMP NEWS

16/04/2024 - New Album; Remix This Vol. 4

I’m back with a free download and the next instalment of Remix This. It’s mostly House remixes but there are two Jungle/Drum and Bass tracks and two UK Funky tracks in there too. As always I found the acapella online and made something new out of them and is a mixed genre from Trap, R’n’B and Motown with some other genres thrown in there and are some of my favourite songs to listen to. Some of the tracks are off my live music making I did on YouTube and I’ve made quite a few videos by now and I have plenty more to make so if you want to see how I make the music please go to my main YouTube channel @gasnolight. I’ve made a special place for my remixes with the original track and then my remix next to it. That can be found under the Inspirations page in the G.N.L drop-down menu if you are interested there are quite a few tracks on the page already and a mixed bag of genres so if you like your music or you want to hear the vocal samples I used please head to my Inspiration page. I must admit it’s getting harder to select suitable tracks to remix but I manage to do it cos I don’t make them all at the same time and are done over some time which I never rush but it is getting harder to find tracks and I don’t know how I find the good ones that I love. The first track Hiss (G.N.L. Remix) is Hiss by Megan Thee Stallion and something a bit current. It is what I call a club track and something for the party with the melody I made myself and is one of my favourites on the album. The next track Just Tripping by The Temptations and is another favourite on the album as I used a real tape deck by recording the vocals onto a tape deck and then using my Tascam to get the sound from and to record it. The next track Frozen (G.N.L. Remix) is by Madonna and is also called Frozen and is another one for the club. The next track Miss You (G.N.L. Remix) is by Aaliyah and is also called Miss You. It’s one of my overall favourites on the album as I love the bass and the lyrics. I used a bit of delay on some of the vocals for the crispy effect. The next track Recurring Dreams is by Lil Kim and called Backstabbers. I wanted to make something special for this UK Funky so I thought I bootlegged some vocals by making a DIY acapella of the song using RX7 by Iztope. Again it’s one of my overall favourites on the album as I love the funky rhythm and all what is in the song. I thought I haven’t heard a remix of the song Backstabbers and especially UK Funky so I thought  there’s a first for everything. The next track Burnt By The Fire is from Janet Jackson’s That’s The Way Love Goes and is a Jungle/Drum and Bass track. I made this track live for a YouTube video which can be found on my main YouTube channel as discussed before. I do like this track and again another favourite on the album. I like the chilled but danceable beat over the deep bass good for those large speakers, with more delay as I love to make a lot of delay in my House and my remixes. The next track Go Through Things is by Mary J Blige and called Changes I’ve Been Through. I’m happy with this one as I used more tape deck and didn’t come out too well I in fact had to resurrect the vocals and get them up to listenable level which was a task. The next track Receipts is from Notorious B.I.G. and is from You’re Nobody (Till Somebody Kills You.) I was shocked to found the acapella online but I thought I just had to remix the track as it’s one of my favourite tracks and from Biggie. The next track Skin (G.N.L. Remix) is from Rihanna and also called Skin. It’s one of my favourites of Rihanna and another one I thought I’d like to remix and see how it comes out. The next track is Came Back For You (G.N.L. Remix) and is by Lil’ Kim also called Came Back For You. I was most shocked to find the acapella of the song and thought I couldn’t turn it down. Again one of my favourites from Lil’ Kim and something a bit different. The next track is Children Of The Night (Howl) (Jungle Remix) and is from 1930 black and white film Dracula. I’ve made a few versions of this song including a dub version so I thought I’d add another version since it’s been a while now. The next track I Like (G.N.L. Remix) is from Guy’s I Like and I went for a 80s DJ mixdown and reminds me of the set from Sunrise Back To The Future and from the DJ Carl Cox. The next track Scrub is from TLC’s No Scrubs and something I made a while ago but thought I put on the album since it is a remix and it is okay I feel. The next track Tide is from Chaka Khan’s Miss The Water and another UK Funky track I made and favourite on the album. It’s another one I used tape deck on by recording the vocals onto the tape deck which I think came out alright in the end. The next track Baby My Love is from The Supremes Baby Love and another one I was surprised to find the acapella to so I thought I just had to remix it and see how it comes out. The next track Rhythm Of The Night (G.N.L. Remix) is from  Corona’s Rhythm Of The Night and something I was a bit scared to remix as it’s a old school banger but I’m happy with the outcome. The next track Searching 4 Love is from Mary J Blige’s Real Love and another favourite on the album. I like the chilled relaxing vibe to it and the the slight sadness to the song which is kind of funny as I was happy when I made this song and something I did quite a while a go but thought I rerelease it again. The next track Angels With Filthy Souls (Doorstep Material Remix) is from Home Alone 1 and the spoof film also called Angels With Filthy Souls. The next track My House (G.N.L. Remix) is from Beyonce’s My House and another favourite on the album. I thought with a track with house in I just had to remix it and again one of my favourite current songs from Beyonce. The last track Tears Of A Clown (G.N.L. Remix) is from Smokey Robinson’s And The Miracles also called Tears Of A Clown. Again I was surprised to find the acapella and it’s another one I thought I want to remix it and see how it comes out so I did. 

Bandcamp News – New Album Release; The Music Sessions Vol. 1

BANDCAMP NEWS

16/04/2024 - New Album; The Music Sessions Vol. 1

I went on a live spree doing back-to-back five-song music-making live on YouTube and I quite enjoyed making them as always. I went for the genres I make a lot of which are Synthwave, House, Jungle Drum and Bass, Chiptune and UK Garage. Okay, I haven’t made quite a lot of UK Garage but I’ve made some so I thought I make some more since it’s something I enjoy making but don’t make too much of. I make more House, Jungle/Drum & Bass and Synthwave as that’s what I like to make and enjoy making the most. I didn’t know what else to call it so I called it The Music Sessions as it’s me making music live and not knowing what I was going to do next just me and my Akai keyboard which is a small but handy thing and it fits on my desk nicely. I keep meaning to be more active online and this is a small bid to start doing just that I liked the thought of making music live even though no one would watch me at the time which does make it easier to make the music knowing there ain’t no one’s watching or waiting for the next bit, I like to take my time but not take too long on it as the music gets boring. This is why I like to change the synths halfway through to give it some new life otherwise I liked the track and didn’t want to change it. I sampled two tracks on this EP which I won’t be doing again as YouTube and their rules and regulations I really don’t want to get banned from the platform or lose anything. I didn’t have a warning from YouTube until last week that was and I’m not happy about it. How are DJs meant to survive with all these rules? It does dampen the mood of good old-fashioned music making but lucky I make music myself as I own the rights to most of the songs I make except the copyrighted ones like the remixes I make and give out as free downloads, I don’t mind making free music as well. The two songs I picked and found samples on my computer were Janet Jackson  That’s The Way Love Goes and Lil’ Kim the skit at the end of No Matter What People Say off Notorious K.I.M album. I wasn’t even going to do sampling on the tracks but I was listening to the song and the acapella and worked out they would go together quite well so I added them all together in two separate songs Burnt By The Fire and Whoose Calling. The Lil’ Kim skit is one of my favourite skits with TLC of Crazy Sexy Cool and the intro to Aaliyah’s Age Ain’t Nothing But A Number it’s the “I see her ass at the MF concert” on the Lil’ Kim skit though FIY it’s going down. I did use some aiders one drum pattern per song and did it on two songs, the other two I did myself as I wanted to make it interesting and it turns out that kept me happy as by now making music is sometimes a chore but an enjoyable one once you know what you are doing and making and it’s all laid out. Also, there is a bit of Janet Jackson’s – That’s The Way Love Goes on the sixth track, Dracula the 1913 version on the seventh track, Smokey Robinson and the Miracles’s – Tears Of a Clown on the eighth track and Diana Ross and the Supremes on the last track the tenth track. making it into sessions better for me as I can come back and make some more shortly and some genres I don’t make a lot of as I said UK Garage is one of them and also gaming music which I make now and then. My favourite tracks on the album are Summer Lasting, Now’s The Time, Children Of The Night (Howl) (Jungle Remix), Lost Control and Tears Of A Clown (The G.N.L. Remix.) My overall favourite is Tears Of A Clown (The G.N.L Remix) and Lost Contol.

THE MUSIC SESSIONS VOL 1

Music News – New EP; Black Smoke In The Mirror

June 5, 2023

Music News

05/06/2023 - New EP; Black Smoke In The Mirror

A UK Funky EP for you and some of what I think is my best so far I didn’t put any instruments over the bass and drums and I think it came out much better than the stuff I was doing so I have now decided to spare the instruments on most of my House and other club genres like UK Funky, Jungle/Drum & Bass and UK Garage which I don’t make a lot of but I am thinking of doing some more in the near future. I called it Black Smoke In The Mirror as the black smoke represents toxins and the mirror is the reflection staring back at you which could be anything. One example is watching conspiracies on YouTube or the latest gossip or something that is a stereotype video with someone being hateful against a particular race it can be damaging and two examples of that are the whole biracial topic and Aaliyah’s untimely death with Beyonce in the middle and Jay of course. Let’s start with the bi-racial topic as I think it’s a good one and needs to be discussed, being mixed race or biracial I face a lot of backlash from both white and black and all the above but still people and I’m not getting at the people who are on YouTube debating the whole thing it needs to be discussed but the people who have no idea what they are on about and join the conversation and make all these accusations without knowing what the person is like. Thankfully I have knowledge of both my black African side and my white Scottish side from an early age and I am not the person to be calling any race a dirty name let alone someone who is black or mixed race or quarter cast so I find it hard when people say things like oh you only got to where you were as before I fall ill with a mental illness I was going places and I did a bit of kids TV work behind the scenes,  I was a dummy in the music industry for Ant Records a House record company, I also went to uni and got put on a placement for a sound picker for GTA which I saw the ad for it in the Voice Newspaper. But when they say you only got to where you were cos your race that does my head in it’s like go and read the daily mail or something Fox News for you international people. First of all, I worked hard and was at the right place at the right time I said this a few times but I’ll say it again I was at a place called Fire Station which was where all the promoters in town DJs and MC and music producers used to meet and hang out and there were always propositions and motions taking place it was fun to be around. I know there were a lot of different races working at all the places I mentioned and most of the places were fair but I do hate when people just assume it’s like saying you only got there cos you were on your back it’s annoying. The other thing is these damn conspiracies that keep popping up like the death of Aaliyah which, to be honest, I had a turn after her death with my mental health and that was all to do with the conspiracies before and after death which at the time there were lots of different conspiracies with the famous and some really did make me ill and looking at everything in funny angles thinking I had inner knowledge of celebrity life. I’m over it now but it did take some time to get over it and to stop thinking so mental as it’s not good for my health so please be careful what Kool-Aid you are sipping cos it could lead you down a funny path.Â