Resolution
Beyonce Act II Country Music And The Hypocrisy Of Black Music Standards
INTRO
If you are not aware of it Beyonce has new album out a country album to follow along Renaissance her club and Afro Beats infused album that ran along side her tour also called Renaissance. Wow she’s doing good a successful tour and album with this one following on Act II a Country album which as I will explain is going to break barriers and change the hypocrisy of what people would call black music or associate with black music. I’m actually listening to the album right now for the first time so I will give my review of the album at the end it has 24 tracks on so it’s quite a long one but some of them are short songs. So far the first track is very Shania Twain and the second track is very traditional reminds me a 60s songs I’ve heard it before by a different artist. I must admit I love the fact she’s done it in different act something I would like to do say three different genres but call them chapters or something but linked somehow altogether. Now I think about it the horse on the first album goes well with this album Act II which has a very patriotic western theme and also has a horse on the album cover. I think it was in all a clever thing to do and makes music interesting again and also dare I say inspiring yeah inspiring. The internet was buzzing with this album with various of funny memes and statements all for the album and some said they put down the Renaissance album and play the crap out of her new album which came out last night 12.00 AM 29/03/2024, whilst some asked for Act III to come out so they can rotate all three albums. Hang on don’t be a bitch come take it to the floor now HEY lol! I’m on Texas Hold Em I like this one reminiscent of country the melody is catchy. So far I’m getting country music from throughout the decades this one Bodyguard very flowers in her hair style it feels 90s or something you would hear at a festival or light gig it’s very radio friendly too, so far no skips. Well I was expecting Dolly Parton to be on the album but not as a intro lol that hozzy what a skank we would say. Now I would like to watch Dolly and Beyonce on stage singing Jolene that’s the next track after the Dolly intro. Oh I love it the bleedy sheets on dirty floor or whatever she said very country and upbeat for the next track Daughter, I really like the lyrics for this one called Daughter and the melody. Oooh no sause for Spaghetti the next track a bit of Hip Hop, oh okay like the other album a change up to country music near the end keep it country lol, still no skips Alligator just finished. Well I just finished listening to the album and yeah no skips and a good country album with one or two southern Hip Hop I’m guessing. But I enjoyed the album something I would actually play again if I was in the mood. Will she get her Grammy for this or are they going to say there wasn’t enough traditional pieces in we were find out but check it out if you haven’t already it’s worth a play I would say and not something I would usually go for.
THE ORIGINS OF COUNTRY MUSIC
The Banjo a well known southern instrument was in fact a instrument made from Western Africans who crossed the Transatlantic in the slave trade and the instrument was made out of gourds, called the Akonting. For Four hundred years the enslaved made their own music including hymns, spirituals, and field song, all with roots in African music. It is said that playing the Banjo in the 1840s was exclusively a Black instrument and was unheard of for a white person to play the banjo. The instrument has had a controversial rise to music fame as in the In the 1850s, minstrel shows became grossly popular and depicted enslaved Africans as slow, lazy and as cannibals, also it was depicted with Banjos which in affect popularised the Banjo within the white communities inventing the genre Hillbilly music around in the 1920s. Hillbilly music later changed to Country music, first artist drew inspiration from from slave spirituals, field songs, hymns, and the blues, which itself has black origins. Despite America in the 1920s and 1930s being segregated Hillbilly and black artists would collaborate on songs which became popular and nearly 50 black artists would appear on successful songs with white artists because the music was seen as a black genre but changed hands with white people back and fourth. It was in fact after World War I after 1918 when Hillbilly music got changed to Country music after a big push from the record companies who wanted to start selling Country music but couldn’t due to the race of those artists. The black artists who were signed to a record company in the 1920s was underpaid and didn’t get any recognition. There music was sold on to white artists who were the stand ins and made Country music a white genre with the help of the record companies whose audience favoured middle white America looking people. DeFord Bailey was the one of the first Black musicians to gain recognition and was the first to play the Grand Ole Opry—a big deal for country musicians. His harmonica playing style greatly influenced the country musicians that followed him. Succeeding Bailey was Charley Pride. As mentioned before, Pride was the first black artist to be inducted into the Country Music Hall of Fame and is often referred to as “country music’s first Black superstar.” He served as an inspiration for countless Black musicians. In their tow, Ray Charles was responsible for blending country with R&B and pop music in a way that would forever change the genre. His music also helped fuel the civil rights movement. Bailey, Pride, and Charles are three of the most recognizable Black names in country music, but there are many lesser known names that have also been critical in forming the genre. Gus Cannon was a Black musician who helped popularize jug bands (a precursor to country) in the 1920s and ended up teaching Johnny Cash, a world renowned white country singer. In addition, the guitar fingerpicking style that is largely used in country music today was developed by Black guitarist Leslie Riddle. Still to this day black artists still struggle to get the recognition and acknowledgement they deserve for their work in 2019 rapper Lil Nas’s Rap and Country song Old Town Road was removed from the Country Billboards Charts when Rolling Stone told Billboard, “it does not embrace enough elements of today’s country music to chart in its current version. Also some Country fans accused Lil Nas of cultural appropriation for wearing a cowboy hat but you can’t even wear a pouch without being called Skippy the wannabe kangaroo in my opinion. Beyonce also got in some heat when she released, “Daddy’s Lessons,” in 2016, she faced heavy backlash from the industry despite the fact that the hit single includes all the elements of traditional country music. Even when Beyonce performed “Daddy’s Lessons” at the 2016 Country Music Awards with The Chicks, country fans were enraged and some heckled her one woman said “get that black bitch off the stage.” She additionally submitted the record for a Grammy but was denied. Linda Martell was the first black woman to break into the Country industry and gain success with her 1970s album Colour Me Country it’s hard for black woman to break into the industry and even though there has been a rise in black female country singers in more recent years they are still faced with the same issues.
THE REVOLUATION OF BLACK COUNTRY MUSIC
I really do think it’s revelational as music should be as not only is she opening doors for other Country black artists but she is also reclaiming the lost history and the origins of Country music. There’s a stigma of what people expect of you being black or biracial which is all the urban genres like Hip Hop and Trap here in the UK UK Garage and UK Funky and House which I do actually make but I also like my synthesizers. I’m obsessed with them actually so I make Vapourwave, a bit of Progressive Rock, Synthwave and general synthy vibes which some people would class as white genres but I always said it doesn’t have a colour, I think no genre is White, Black, Asian or other apart from the tribal and traditional stuff from around the world. The boundaries of what people find is black or white is a recurring thing that happens and something I face a little bit in my own life and I think Beyonce’s album Act II is going to break boundaries and the hypocrisy between the races whilst defining the genre in the new form which incorporates other genres such as Hip Hop and other urban genres if it is acknowledge that is. As I said before it would open doors for other black artists who may of come before her and been doing this despite all the backlash and hate that they might get due to it being a white dominated genre. It’s kind of shallow to think that a person doesn’t like anything but Hip Hop and urban genres that’s like saying all Mexican’s drink Tequila and especially when they have strong roots in the genre and was pushed out due to race or race and or being a black woman. I think there is some sort of hypocrisy of what the races identify as being white or black and that is heavily linked in music and the fact the white race are being pushed more then the black race which makes it seem like the white race invented all these genres when really it was passionate black musicians that paved the way for the genre to grow into a mainstream staple diet. There is no denying that things such as colourism and sex has major parts in making it in the music industry and I’m guessing they start where they finish the big wigs I mean who push for what they call desirable and fashion too. Black people are undermined and underpaid and arts are quickly taken away from them and used, as in a video I watched on YouTube as toys just something to play around with and to suit the mainstream audience they are trying to extract money from. I’m sorry to say but most even all of the old white but black singing artists are replacements for the undesirable or what they call undesirable which is black, big nose, big ears and non straight hair again also a thing in fashion and Hollywood. And as we know the south of America and America as a whole can be pretty racists and some do not welcome African and West Indies American descendants into their life or anyone who is not white American. I saw this one example on Facebook this girl took a black boy or young man to the Prom and the mother was f’ing and blinding saying she’s cutting her allowance and even her life insurance she really stomped on her. I was like dang she really doesn’t like black people and she’s going to need that in case she got shot that’s a joke but I think that is the nasty way society is xenophobic and scared of the unknown so they cast it out. I feel there needs to be a lot done when it comes to changing the perception of what music is and the roots of each genre not to mock anyone who came before and paved the way. There is still like ugh you like rock you’re white or any other white based genre. Only once have I experienced slight undertones of racism it was on Tumblr when I used to make a lot of Progressive Rock tracks or call them that even some of them weren’t but anyway he wrote “sorry you ain’t got the long silky hair” and other comments that I thankfully forgot. He was referencing that most of the Progressive Rock bands had long silky straight hair and I was never too be marketed as Progressive Rock as I have a afro, that was it one message read “stick to what you know” as to say this is not the allocated genre for me. It’s funny cos some people actually expect you to stick with the allocated genres like Hip Hop and make a bigger deal if you are of colour even though they are just getting on with it and not trying to be ground-breaking or life changing you actually like that genre and been listening for all your life and was brought up with it. It’s not a well known fact and I don’t really put it as one of genres I like but I like Country. I like Johnny Cash, Dolly Patron, Hank Williams and Pasty Cline or though Pasty Cline’s music reminds me of sitting by the bar drinking myself to oblivion cos my girlfriend cheated on me that’s the feeling I get from her music. But I like country more so when Grand Theft Auto San Andres came out it was one of my favourite but secret favourite stations. Okay it’s not my favourite genre but I enjoy it and actually reminds me of being in a bar or Karaoke night when Johnny Cash the second or Dolly Parton the second takes the stage. Not only that Country is seen as naff or Hillbilly it’s not cool for a young person to listen to Country in the eyes of the young but Beyonce will change that and make it more fashionable. Not only that she’s doing the music industry a big favour by making a Country album as there has been a resurged of Country music in the last couple of years so it works in their favour and music is more inspiring as I said I feel inspired by her two latest albums even though I would never make Country I haven’t got the tools for one or knowledge for two. I like the fact that other black artist incorporate country with other genres like Hip Hop and people who work for Billboards need to start welcoming country infused with other genres for the sake of Country they can always push out the traditional artists too. Hip Hop got turned into Trap which is a Southern America genre but the UK has it’s own spin too, so why not welcome the new styles of Country and allow black artist to shine and make changes instead of being part of the problem. It’s all down to the outside world perception and what they would call black or urban or white if there wasn’t such undertones of racism there would be more balance within the genres and more freedom to express the genres you like without the fear of being laughed at or being laughed at and also make the music you exactly like instead of spitting unmeaningful lyrics or being a stereotype you know you’re not all to fit into your culture. Though this isn’t one sided and comes from all the races and sides which is all tribalism based stuff and a interesting topic to talk about. The basis of real tribalism is working together as a team and putting any race issues aside the old your English I’m English that is one angle. But the Western tribalism is all clicky and you all must look the same to fit into the gang or tribe which translate into music so horribly well. That’s why it’s so important for people like Beyonce to smash a few doors down someone well known and has done the rounds and also respected. Just how many boy bands come after Take That or N’Sync how many Janet and Michael Jackson’s were there. They made music or was in a group that inspired so many people and Beyonce is one of those people and has inspired so many artists out now but granted she has her haters too but who doesn’t. I only said that as I think it would inspire black artist to do a country album or put elements in their songs who wasn’t even diehard country music fans to begin with. Not to mention as I said before it will aid other artists who make Country and put them on the map too and to also tell them to keep following their dreams even though the odds may be against them but now it works more in their favour. Popular music you hear say on the radio, on YouTube Music, Spotify etc etc it’s all been demographically done and should appeal to the massive not just a group of people or though it is marketed at them but it’s marketed for everyone at the same time. That’s why there is no colour when it comes to music genres and the way we consume it or even sex or though artists like the City Girls are pushed for the girls with all those hypersexual lyrics and money money money lines but it can appeal to anyone I liked Twerkalator I would of listened to that more if it was pushed but guess they have gone now.
Music News – New Album; Rebitten By The Lizard
Music News
18/03/2024 - New Album; Rebitten By The Lizard
In June 2017 I went on holiday to Lizard in Cornwall here in the UK. Before that, I had never been on holiday since the early 2000s. I had such a nice time so much so that I felt inspired and made a whole album about my holiday to Cornwall. This is an old album and I made it also in 2017 as soon as I came home I felt like I couldn’t wait and had so many ideas of what to put in the album. It does feature some actual recordings taken from my video camera and I converted them into WAV files and made tracks out of them which I think makes the album more of a holiday album. I say I made the album back in 2017 but there are five remixes which are at the end of the album I made in 2020 to 2021 when I was trying to make a cassette tape version but things didn’t go to plan. I kept running out of tape and the tape recorder was damaged so it didn’t come out that well but it was only for personal use. I won’t go into too much detail in this post as I already made an eBook with all the details and some other things I’ll leave a link below in case you are interested it’s an interactive eBook. I will say this though it was nice to get away for a bit and be by the sea and sand. They had the clearest water and the beaches were okay most of them were stoney and not good for your bare feet but some were over nice and somewhere I wish I lived by or could get away for a bit but I’m a city boy, to be honest. All the songs are inspired by real events or conversations I had with my friend whom I went on holiday with and are mostly real events and memories I had internally also looking back at the video footage we filmed. Looking back makes me sad as it was when I still had my dog Patch and she was still here I had her put down in 2019 due to old age if you haven’t read that already but she had the best last two years and we went on holiday to the Isle Of Wight the following year in 2018 before she started losing her back legs. I knew she wouldn’t last as long as me I just wasn’t ready for the fall out which is why I haven’t got another dog so quickly on top of the other reasons like being woken up in the night and the cold in the winter. The highlights were going to the beach every day to this little cobbly beach which I will explain later on but also I loved going to the Lizard Lighthouse and the surrounding areas it was the most scenic area and as I said before the sea was tropical it looked good enough to drink. The weather was hot all week apart from the last day which was cloudy but still warm my mate got sun burnt on the head mostly on the third or fourth day and he had to buy suncream it was that hot. I love the heat and made the holiday special or more like a holiday we were lucky to have the weather so nice as it could have been raining all the week we were there. The first track and the intro were recorded on Kennack Sands East Beach and were on the first day and the first beach we went on just an hour from landing so to speak. It was quite misty and as you can hear it was quite creepy and like out of a film. I really thought we were to have horrible weather that week with the cloudy skies and the mist surrounding the landscape. Kennack Sands East Beach is a dog-friendly beach and the main beach Kennack Sands isn’t. We spent a lot of time there mainly in the afternoon and the early evening before the tide came in or so we didn’t want to risk it so we retired for the evening. I would say the next track Mist is a Progressive Rock song and has a heavy bass and also heavy synthesizers which is dark and also has sound clips from what I recorded with the video camera in the intro. The next song Pulse (Blouse & Big Girls Mix) is another video sound bite I got from my video camera. First of all, we were on cliffs and there were gaps in the missing pavement one bit you had to jump across. Anyway I have a fear of heights and there was my friend nilly willy dancing in the moonlight and skipping and breakdancing (okay not actually real events) but he was getting close to the edge and I had a funny feeling. Luckily nothing happened but he was asking for it in a sad way. Pulse (Blouse & Big Girls Mix) is an edgy synthy track and a favourite on the album as I like the synth sounds and the arpeggio pattern I played with my MIDI keyboard. I also like the vocals which are me pooping myself and having some sort of light panic attack. So if you like to hear me cry for my supper please check this track out. The next track Working At The Serpentine is another favourite on the album and I like the synthy sharpness to it with the drum pattern I believe I was using the Roland 808 drum machine at the time and used that for a little while before I started doing them the other way by sample base. There was this lovely disused Serpentine factory that was around until the 1900s when it got closed down. It also where the fisherman sorted and brought in the fish so it was good to be by something so old and unique. It was on a cove called Carleon Cove and not so far to walk from the campsite and even if it was it was sure worth it, there wasn’t anyone there one or two people the whole week we were there. The next track Beneath The Surface is an upbeat track that reminds me of dipping in the water and getting a bit wet which is what the track is about and why there are submarine noises in the track. I like the melodic tone to it with the bass which I like that bass and think goes well with the track. The next track Washed Up is another sound bite I got off my video camera and was taken on Cadgwith Cove. There were lots of washed-up fish and it kind of stunk a bit rotten in the air but still a nice place to be and was a little village of fishermen and women. It was rocky terrain and not any sand but it was scenic and something that was nice to see. The next song Max is about a sheep we saw on a lead and I think was a pet for the meantime. I was lucky enough to get a picture his name was Max which is why it’s called Max and has sheep baaing on the track. The next track Flambards (Skit) was recorded at Flambards an old Victorian village which was quite creepy looking back at it. It had shop fronts of shops of the Victorian era and also other things like a World War 1 exhibition and lots of other items it was nice to see all the old stuff and is quite fascinating. The next track Lighthouse (Alternative Version) is about an old lighthouse we visited on the Lizard coast. We didn’t go to the top of the lighthouse as we had my dog but we did take lots of pictures and also saw the exhibition inside one of the buildings. It’s another favourite on the album and I like the synthy sounds I played with the 808 drum machine I used in all of these tracks. The next track Friendly Locals is about how friendly the locals were. There were quite a few nice people actually but there were two I remember one was a taxi driver and ex fisherman and the other one was a nice man also a fisherman who gave us a lift to Cadgwith Cove after we underestimated how long it was going to take to get there. The track is yet another favourite on the album and I like the melodic and the synthy sounds, I do like all the synthesizers I used on this album and I think I used mostly Repro and Diva from Uhe but I’m not sure now. The next track Pandemic (Chernobyl Alternative Version) is my overall favourite on the album. We watched a lot of pandemic movies on the Horror Channel it was pandemic month or something like that and one of them was Chernobyl Diaries I can’t remember all the movies we watched but they were all about getting a virus or contacting something from someone. This was before COVID-19 so it was like they were telling us something but that’s deep dish FM AKA down the rabbit hole AKA too close to the truth so to speak. I like the Repro bass and the other chilled elements which I think go well together it’s a nice relaxing track which isn’t in your face and good for sleep music if you are into your synthesizer sleep music and trust me there is such a thing. The next track Mediterranean Pasty is another overall favourite and is about the beautiful landscape that was all around us especially Lizard Point on the coast. I don’t know what it is about the track but I think there is something about it maybe it’s the way it’s played with the synthesizer sounds who knows but I do love it and this is also my overall, overall favourite track on the album. The next track Fortune (Pound Up Alternative Version) is about me winning a pound on the slot machines and also playing the two-pence slot machines and winning some on that before putting it all back in where it came from. This is another favourite on the album and I like the brightness and also the jolly happy feeling it gives I like the chorus a lot which I think makes the song and also it’s quite catchy and upbeat which is the feeling I get when gambling dangerous patterns lol. The next track Sea Goddess (Alternative Version) is another overall favourite on the album and I like the catchy feel to it and what the synthesizers produce. We found a statue right by the sea cliffs it was on a small plot of grass over a gate. We don’t know what the statue was there for but we guessed it was a sea relative thing which is why I called it Sea Goddess. The next track Sad To Go Outro is another recording from my video camera. I was so excited when I was going and waiting so when the week was up I didn’t want to leave and felt sad but saying that I was looking forward to getting back but I didn’t want to go at the same time. The five remixes are variations of the original tracks I made in 2019 – 2020 and are all upbeat synthy tracks and something different from the original tracks. My favourites are Pandemic (Gore Box Remix) and Pulse (No Dramatics Remix.) The last song was a bit of an experiment and I thought I wonder what it would be like if I reversed the track so I did I liked it so I put it on the album as the last track for something different and weird.
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Music News – New Album; Brain Freeze
Music News
26/02/2024 - New Album; Brain Freeze
It’s been a while since I made a Synthwave album so I thought I’d make one and this one is a nine-track album with a couple of remixes at the end of the album. I enjoy making Synthwave and have a good collection of synthesizer plugins which I use quite a lot. There’s a lot from the Arturia Collection and a couple from Korg which I heavily use a lot in all my synthesizer stuff and also some of my rave tracks. I got the drum kits from Zenhieser the 80’s Retro Drummer, 80s Drums which is a well-put-together drum kit of one-shots which make it sound so authentic and make it sound like it was from the ’80s, with the patterns I make from the one-shots which again I enjoy doing. If you make Synthwave it’s one for your collection and I use it on all my Synthwave stuff as I love the drums and is what I look for kind of old 80s Hip Hop drums and 80s Pop drum kits so I was happy with my purchase and have made some great tracks with them. I’m happy with how the album turned out and like all the tracks I kind of did them back to back bit over two days as I was keen to finish off the album as that’s the thing there are not a lot of tracks, singles, EPS or albums I haven’t finished there’s a few but most of them I have finished and are out on all major platforms or they are unreleased and are on Soundcloud which is where all my unreleased stuff goes like remixes of other people’s tracks and the stuff I won’t put out for whatever reason. I called it Brain Freeze as my mind is kind of hazy and I can barely remember what happened last decade and all the good stuff I’ve done which as I said before seems like a distant dream but was all real and a good point in my life but sadly all came crashing down when the world stopped for a moment and also my mental health was getting worse and I couldn’t keep up with the demands of the jobs I was doing. Everything just seems like a blur and a distant memory and some of the things I’ve done sound like I’m running up for clout and are all lies but I know I did all those things it’s hard to believe. As I said a few times now it was a different time and there were fewer laws and more importantly restrictions and the world was a good place to be with things like the invention of House music and all that came after that, which opened many doors for people and new ones it was also a good chance to socialize and do something adventurous and local business was always in on the game. The point is now with all these new laws and the way we are nannied it’s harder to think back on the good times that were had and makes it harder for people especially younger people to understand how the earth should be run and how it was which is a million light years away now and something that will never happen again but we can hope for a comeback of some sort I’ll be there in a flash. Also, Brain Freeze means some people have brain freeze and are dead inside I don’t know what’s gotten into people but for some reason, it’s cool or acceptable to bring down someone cos they are so icy well “You so icy you so icy why don’t you pay me on time” hmmm. It is ridiculous though and I’m tired of it just cos you woke up in a bad mood you spew your mess around and make everyone unhappy or so you think as BITCH you won’t kill my vibe. It’s sad really and something I don’t talk a lot about but one thing for sure I won’t let it bring me down and make me into something I try hard not to be a See you next Tuesday as much as I have vented back at them lol. The first track Olive In The Glass is a middle BPM Boogie track which I enjoyed playing. It’s quite an upbeat track and reminds me more of older Boogie styles which were in the 1950s with Rockabilly and Rock ‘n’ Roll also emerging around that time. The next track Days & Nights is one of my favourites on the album as I like the drums and the synthy sounds I played over the beat. I also like the bass which is a simple bass just a one-note pattern but it works with the track and gives off that Electro Funk feel to it with the drum kit which as I said before I love that drum kit so handy. I love claps on some of my Synthwave tracks I used to use them a lot in my House tracks but I notice not a lot of people use claps in House no more so I made up for it by putting them on some of my Synthwave tracks like the second track Days & Nights which I think makes the song and makes it sound again more Electro Funk or 80s Hip Hop. The next track Just A Sec is another favourite on the album and again I like the drums, synths and also the bass. I messed around with the filters on the snare to make this cool-sounding 80s pattern which is like something out of Michael Jackson’s Bad album. I played all the melodies using my MIDI keyboard and I like this one quite a lot it’s something you can have on in the background at a nice volume and relax to it or so for me. The next track Kingdom is a slow-paced track that is nice gentle and soothing. I love the bass on this one and think it goes well with the synth stuff I put on top of that it’s kind of like express music and something I enjoy listening to in my spare time when I have the chance and feel like Synthwave. Again it’s one of my favourites on the album and I like the darkish tone to it but the drum kit especially and I like these drums a lot as there are a lot of variations in drums and sounds in the sample pack. The next track Chambers is another slow-paced track and yet another favourite on the album I think it’s safe to say I like all of them and think they are all good but I like the synths, bass and drums as always and think again makes the track. I love the dark synth bit as the main feature of the track and is part of what I call the chorus which I think makes the track also my overall favourite on the album as I love that synth sound and the melodics. The next track Sound Of The Sirens was inspired by the sound of sirens always going off in the background as I live near an ambulance station not to mention the other services that fly by. I was making it and came across a synth sound which I thought when I played it sounded like a siren so I thought I made a whole track with it. The next track is Kingdom (80s House Remix) which I like as I like the bass and again something to have in the background while you do your stuff. I like the synths I used the M1 from Korg and some samples I got from Loopmasters a long time ago which was the bongo drum pattern that goes throughout the track. The next track Days & Nights (80s House Remix) is a fast-paced rave track that again I got the drum pattern from an old sample pack and used most of the synths I used in the original track swapping only some of the instruments as I like to make variations of tracks as I mentioned before. It has this Electro Funk feel to it which I like and reminds me of doing the robot on a film or something. The last track Chambers (80s House Remix is another fast-paced song and the last couple are the fastest as they are House songs and around 120 -125 BPM. Since it was my overall favourite I thought I remix it and see what it would sound like as a House track, I like it but not better than the original track but it’s okay I suppose I do like it just not better than the original.
Music News – New Album; 6 Pack Remixes III
Music News
26/02/2024 - New Album; 6 Pack Remixes III
More House remixes from some of my newer tracks I’ve made in the last couple of months. I like to make remixes or alternative versions to the tracks I make and I have done a few now on singles, EPs and albums but I’ve only just gotten started lol. I like to get House vocals for my Jungle/Drum and Bass so quite naturally I make some House versions too which I’ve done on a few of my Jungle/Drum and Bass tracks which some of them can be found on this album. As you can see this is a series I’m doing and is the third instalment of 6 Pack Remixes and it’s not the last I actually plan on doing some of my older tracks I made as remixes if I can find the files as that’s why I picked my newer tracks the files are easy to found and ready to go. I haven’t made one for quite some time now so I thought I’d make another remix album of some of my favourite tracks I’ve made and released. As always I got the vocal samples from Splice.com and the drum loops I got off various sample packs I bought in the past, same with the bass which I found on loops and cut them down to one shots so I can make a new bass pattern out of. As I said all the tracks are released tracks and all can be found on all major platforms like Spotify, Deezer, YouTube Music, Amazon Music, Beatport and many many more platforms. I only remix my released tracks and makes sense to do just that as there’s no point doing a unreleased tracks as you might go looking for it and you can’t find it so I made it easier but saying that if I find those damn files I might actually do a few unreleased tracks. They were on a old hardrive which I think I haven’t got no more as when I dropped it and sent it off some of the files couldn’t be recovered sadly so I only have what they recovered. Anyway they were my most older tracks that were too long, loud or not loud enough so I’m not too bothered about those it’s the ones that started in 2019 when I was at my most productive working day and night making tracks from scratch as at the beginning they were just loops which I put together but it was 2018 when I started making tracks without loops or just one for rhythm sake. I made this track which I haven’t got no more it was of Talim from Soul Caliber it was break music not Jungle/Drum and Bass as it was slowed down breaks at 110 BPM but sadly I lost it but I do have a copy I keep hearing when playing it in a old mix I made maybe I should get it from that. Anyway I won’t be able to release it as it’s copy written vocals and from a well known game, good game by the way the first couple were the best as I liked going to the fortresses and fighting them I’m not so keen on the newer one too many cutscenes but that’s just me. The first track Desires (Remix) is a House clubby tracks which the original was a Jungle/Drum and Bass track I made on my Jungle/Drum and Bass EP I made not so long ago. It’s one of my favourites on the album and I think is danceable and fast paced I like the House vocals too which is also featured on the Jungle/Drum and Bass original track which I think sounds like Jungle/Drum and Bass vocals too. The next track Everything (Remix) is a bassy club track which the original I I made not so long ago. I like the basses and also the vocals as always I picked the vocals I like and know will come out good and is the rule of thumb when making music always pick the ones not that sound good but what works with the track you are making at that time, but saying that I tend to pick the vocals first before I even open up my DAW but then again sometimes I make the beat first so swings and roundabouts. The next track Dorothy Land Awaits (Remix) is another favourite on the album, I like the vocals and the bass too which I think goes well with the music and I think is a club track you could dance or listen to the choice is yours. I’ve already gotten into the meaning of the track but I will say it’s not a homophobic slur but about people being in some sort of fantasy and me being there already and walking people through the pain of that fantasy IE the stuff that is on say YouTube. The next track Darkness Follows Me (Remix) is another bassy favourite on the album. I like the vocals and bass as always and the vocals make me laugh as I think he is saying eat your body which I’m not all for cannibalism but sounds good on wax lol. I used the M1 from Korg for the synthy stuff which is a favourite of mine to use on the dance tracks . The next track Why You Lie? (Remix) is another bassy favourite on the album. I like the vocals which I think can double up as Jungle/Drum and Bass vocals but I like the bass too there are two basses in this song and some others too. I already made a Jungle/Drum and Bass track before with these vocals in and I also made a House track too which the House version can be found on all my major platforms I’ve already spoke about. The last track In This Darkness (Remix) is a track to have in the background and isn’t necessarily a club track but something for the background and to listen to without the need or mention of wanting to dance. It isn’t a favourite on the album but I like it all the less but we all have different tastes and styles so it could be yours who knows, as always I used the M1 from Korg for the synthy stuff made in the track but when is it isn’t lol.