Music News – New EP; Call And Send

May 25, 2024

Music News

17/05/2024 - New EP; Call And Send

Some more Jungle/Drum and Bass for you with this three-track EP there was another one but it got vito by my distributor but bare with me as I’m reloading it for another EP or album coming real soon…probably lol. I called it Call and Send as calling and sending is an old pass time and is based around a phone call with the start, middle and end of a voicemail call the process I mean. They are all old tracks I made around 2019 to 2020 when I was making a lot of good Jungle and Drum and Bass and I thought they were good enough for the major releases and to rerelease as a major release available on all major music platforms. It’s funny as the tracks weren’t based around a phone call at first but were of various EPs I made so it wasn’t until now when I looked at the track list names and thought of the idea of it being a phone call. Also, it’s a follow-up to one of my unreleased EPs called Cold Caller a synthy EP I made and can be found on my paid Bandcamp and Soundcloud page. As always if you didn’t know by now I use Splice.com for all the vocal samples in this EP and some good ones really came out good I think, and one off the internet also which I can’t remember where I got it from it could also be from Splice.com. For the basses, I used a Reggae sample pack which has a lot of good clean and dirty dub basses which are an essential mix for making a Jungle/Drum and Bass track or I could have got them off Splice.com as I was using more of their bass samples more often around that time but I do like that sample pack it makes the tracks more the way I like it to sound bassy, old skool/new school and siny.  It’s also funny as I hate speaking on the phone and to strangers, you always get the cold callers and the pre-recorded messages about double glazing, solar panels or something tax-related. But I hate speaking on the phone it makes me nervous even though sometimes I actually can do it I have to know you to fully have a conversation with you or to break the ice which is what they are actually good at doing so I don’t know what the fuss is lol. That’s why email is the best form of contact for me I don’t know why I just don’t like to speak on the phone or even worse on the live chat although one day I will be there but for now, I’m going to sit myself down and have a nice one and a cup of coffee.. ahh! The first track Leave A Message is an upbeat rave track I made sometime in 2019 to 2020. I used a voicemail message or what they call a footnote on the track “The number you have dialed is not available at present please check the number and try again” You know that dreaded message looks like someone is playing hot potato lol. I like the bass on this one and the vocal sample chop-up of the ringtone and the voice footnote which I actually can’t remember where I got it from but it was definitely a find. The next track Leave A Message (I Hate Ya) is the response to the first track on this EP and one of my overall favourites that I made so far and off this EP. I like the pickup in the middle and love the vocals I used especially the hook and the pickup of the track which is in the middle when it changes. I also like the dramatic strings  I used in the pickup or when it changed to more of the furious dance session. I would say this one is for the club and to be played loud and is good release music. I got the vocal samples from Splice and I like the last vocal the most which I think makes the track into a good old-fashioned underground track. The last track The Reply (You’re Cray Cray) is the response to the last track and what the other person who received the voicemail said. It features me and I used my own voice and an adlib I quickly said down the microphone and made it around 2019 originally. It’s another favourite on the EP and I like the frantic synth and bassy bass over the pitched-up vocals of mine which I chopped up and made something out of. It’s another one to dance to and for the rave or to have loud if you like but not too loud lol.     

Bandcamp News – New Album Release; Remix This Vol. 4

BANDCAMP NEWS

16/04/2024 - New Album; Remix This Vol. 4

I’m back with a free download and the next instalment of Remix This. It’s mostly House remixes but there are two Jungle/Drum and Bass tracks and two UK Funky tracks in there too. As always I found the acapella online and made something new out of them and is a mixed genre from Trap, R’n’B and Motown with some other genres thrown in there and are some of my favourite songs to listen to. Some of the tracks are off my live music making I did on YouTube and I’ve made quite a few videos by now and I have plenty more to make so if you want to see how I make the music please go to my main YouTube channel @gasnolight. I’ve made a special place for my remixes with the original track and then my remix next to it. That can be found under the Inspirations page in the G.N.L drop-down menu if you are interested there are quite a few tracks on the page already and a mixed bag of genres so if you like your music or you want to hear the vocal samples I used please head to my Inspiration page. I must admit it’s getting harder to select suitable tracks to remix but I manage to do it cos I don’t make them all at the same time and are done over some time which I never rush but it is getting harder to find tracks and I don’t know how I find the good ones that I love. The first track Hiss (G.N.L. Remix) is Hiss by Megan Thee Stallion and something a bit current. It is what I call a club track and something for the party with the melody I made myself and is one of my favourites on the album. The next track Just Tripping by The Temptations and is another favourite on the album as I used a real tape deck by recording the vocals onto a tape deck and then using my Tascam to get the sound from and to record it. The next track Frozen (G.N.L. Remix) is by Madonna and is also called Frozen and is another one for the club. The next track Miss You (G.N.L. Remix) is by Aaliyah and is also called Miss You. It’s one of my overall favourites on the album as I love the bass and the lyrics. I used a bit of delay on some of the vocals for the crispy effect. The next track Recurring Dreams is by Lil Kim and called Backstabbers. I wanted to make something special for this UK Funky so I thought I bootlegged some vocals by making a DIY acapella of the song using RX7 by Iztope. Again it’s one of my overall favourites on the album as I love the funky rhythm and all what is in the song. I thought I haven’t heard a remix of the song Backstabbers and especially UK Funky so I thought  there’s a first for everything. The next track Burnt By The Fire is from Janet Jackson’s That’s The Way Love Goes and is a Jungle/Drum and Bass track. I made this track live for a YouTube video which can be found on my main YouTube channel as discussed before. I do like this track and again another favourite on the album. I like the chilled but danceable beat over the deep bass good for those large speakers, with more delay as I love to make a lot of delay in my House and my remixes. The next track Go Through Things is by Mary J Blige and called Changes I’ve Been Through. I’m happy with this one as I used more tape deck and didn’t come out too well I in fact had to resurrect the vocals and get them up to listenable level which was a task. The next track Receipts is from Notorious B.I.G. and is from You’re Nobody (Till Somebody Kills You.) I was shocked to found the acapella online but I thought I just had to remix the track as it’s one of my favourite tracks and from Biggie. The next track Skin (G.N.L. Remix) is from Rihanna and also called Skin. It’s one of my favourites of Rihanna and another one I thought I’d like to remix and see how it comes out. The next track is Came Back For You (G.N.L. Remix) and is by Lil’ Kim also called Came Back For You. I was most shocked to find the acapella of the song and thought I couldn’t turn it down. Again one of my favourites from Lil’ Kim and something a bit different. The next track is Children Of The Night (Howl) (Jungle Remix) and is from 1930 black and white film Dracula. I’ve made a few versions of this song including a dub version so I thought I’d add another version since it’s been a while now. The next track I Like (G.N.L. Remix) is from Guy’s I Like and I went for a 80s DJ mixdown and reminds me of the set from Sunrise Back To The Future and from the DJ Carl Cox. The next track Scrub is from TLC’s No Scrubs and something I made a while ago but thought I put on the album since it is a remix and it is okay I feel. The next track Tide is from Chaka Khan’s Miss The Water and another UK Funky track I made and favourite on the album. It’s another one I used tape deck on by recording the vocals onto the tape deck which I think came out alright in the end. The next track Baby My Love is from The Supremes Baby Love and another one I was surprised to find the acapella to so I thought I just had to remix it and see how it comes out. The next track Rhythm Of The Night (G.N.L. Remix) is from  Corona’s Rhythm Of The Night and something I was a bit scared to remix as it’s a old school banger but I’m happy with the outcome. The next track Searching 4 Love is from Mary J Blige’s Real Love and another favourite on the album. I like the chilled relaxing vibe to it and the the slight sadness to the song which is kind of funny as I was happy when I made this song and something I did quite a while a go but thought I rerelease it again. The next track Angels With Filthy Souls (Doorstep Material Remix) is from Home Alone 1 and the spoof film also called Angels With Filthy Souls. The next track My House (G.N.L. Remix) is from Beyonce’s My House and another favourite on the album. I thought with a track with house in I just had to remix it and again one of my favourite current songs from Beyonce. The last track Tears Of A Clown (G.N.L. Remix) is from Smokey Robinson’s And The Miracles also called Tears Of A Clown. Again I was surprised to find the acapella and it’s another one I thought I want to remix it and see how it comes out so I did. 

Bandcamp News – New Album Release; The Music Sessions Vol. 1

BANDCAMP NEWS

16/04/2024 - New Album; The Music Sessions Vol. 1

I went on a live spree doing back-to-back five-song music-making live on YouTube and I quite enjoyed making them as always. I went for the genres I make a lot of which are Synthwave, House, Jungle Drum and Bass, Chiptune and UK Garage. Okay, I haven’t made quite a lot of UK Garage but I’ve made some so I thought I make some more since it’s something I enjoy making but don’t make too much of. I make more House, Jungle/Drum & Bass and Synthwave as that’s what I like to make and enjoy making the most. I didn’t know what else to call it so I called it The Music Sessions as it’s me making music live and not knowing what I was going to do next just me and my Akai keyboard which is a small but handy thing and it fits on my desk nicely. I keep meaning to be more active online and this is a small bid to start doing just that I liked the thought of making music live even though no one would watch me at the time which does make it easier to make the music knowing there ain’t no one’s watching or waiting for the next bit, I like to take my time but not take too long on it as the music gets boring. This is why I like to change the synths halfway through to give it some new life otherwise I liked the track and didn’t want to change it. I sampled two tracks on this EP which I won’t be doing again as YouTube and their rules and regulations I really don’t want to get banned from the platform or lose anything. I didn’t have a warning from YouTube until last week that was and I’m not happy about it. How are DJs meant to survive with all these rules? It does dampen the mood of good old-fashioned music making but lucky I make music myself as I own the rights to most of the songs I make except the copyrighted ones like the remixes I make and give out as free downloads, I don’t mind making free music as well. The two songs I picked and found samples on my computer were Janet Jackson  That’s The Way Love Goes and Lil’ Kim the skit at the end of No Matter What People Say off Notorious K.I.M album. I wasn’t even going to do sampling on the tracks but I was listening to the song and the acapella and worked out they would go together quite well so I added them all together in two separate songs Burnt By The Fire and Whoose Calling. The Lil’ Kim skit is one of my favourite skits with TLC of Crazy Sexy Cool and the intro to Aaliyah’s Age Ain’t Nothing But A Number it’s the “I see her ass at the MF concert” on the Lil’ Kim skit though FIY it’s going down. I did use some aiders one drum pattern per song and did it on two songs, the other two I did myself as I wanted to make it interesting and it turns out that kept me happy as by now making music is sometimes a chore but an enjoyable one once you know what you are doing and making and it’s all laid out. Also, there is a bit of Janet Jackson’s – That’s The Way Love Goes on the sixth track, Dracula the 1913 version on the seventh track, Smokey Robinson and the Miracles’s – Tears Of a Clown on the eighth track and Diana Ross and the Supremes on the last track the tenth track. making it into sessions better for me as I can come back and make some more shortly and some genres I don’t make a lot of as I said UK Garage is one of them and also gaming music which I make now and then. My favourite tracks on the album are Summer Lasting, Now’s The Time, Children Of The Night (Howl) (Jungle Remix), Lost Control and Tears Of A Clown (The G.N.L. Remix.) My overall favourite is Tears Of A Clown (The G.N.L Remix) and Lost Contol.

THE MUSIC SESSIONS VOL 1

Music News – New EP; Like A Cow In The Night

April 10, 2024

Music News

28/03/2024 - New EP; Like A Cow In The Night

I felt like doing some Jungle/Drum and Bass I haven’t done any for a while now so I thought I’d make some. I called it Like A Cow In The Night as I thought it was a good title and also some people are like cows in the night they sleep standing and with one eye open looking out for the wolves but less is said about that. The four-track EP is more rave music and stuff to have on in the background and stuff I like to listen to in a rave or at home or somewhere, music like this. I like to make Jungle/Drum and Bass now and then and is good to have a break from the other genres plus I like to make remixes of other genres and I’ve remixed one track from this EP Close Your Mouth which will be out in the next couple of weeks. It’s a House remix that I quite like actually and is something different but I’ll keep you posted when it is out. If you want to listen to it now it’s on my Soundcloud page where I post everything that I make including my unreleased music and the first place I post so come follow me on there and stay up to date with all the music I make. I used Breaks as always from Splice.com also the vocals which you should know by now I get all my loops including vocals from Splice.com and is my favourite place to go to get loops. I don’t use a lot of I only use drums, breaks and vocal loops which I do this and that with but I like to make the stuff myself it’s just some things sound better like the drums even though I would say I’m an alright drummer. It didn’t take that long to make I made it in the night and took around 8 hours to make two hours on each track. It’s how I get the job done and I always seem to know what I’m going to play or do once I hear the break loop that seems to add certain elements to the track but not all the time. As always I used the M1 for some of the synthy stuff but the bass and also some of the synthy stuff I used from a Reggae sample pack which I like to use a lot in my Jungle/Drum and Bass seems to have the right textures and sounds which I like to use in my Jungle/Drum and Bass which is the Sine wave the original and bad boy of the bass family. There are other waveforms like Triangle, and Square also popular choices for bass other than the Sine. For those who don’t know what a waveform is, it is a noise type generated by an oscillator which generates certain sounds like the Sine is good for bass but also for chime sounds and glassy sounds whereas the square and Triangle waveform is used for Chiptune and has a more harsher sound with the filter on and is screechy but can also be used for basess to. On a quick recap, the Sine wave is more deep and bassy whereas the Triangle and Square waveform is more high-pitched. The Triangle is the most high-pitched out of the three the square is also bassy but has high-pitched sounds which is why it’s also good for basses with some high-end in or high-pitched sounds but not the chipmunk high-pitched sounds it’s sort of like a Cello on it’s high strings mixed with 90s internet dial-up sort of. The first track Manic Dramatics is one for the club and something to dance to if you want. It’s one of my favourites on the EP and I like the franticness of it I think it is danceable and something to dare I say shock out to. I like the bass and the reggae synth which I found on a Reggae sample pack I was on about earlier. The next track I Can Love You is a radio-friendly track that is also danceable and one for the club after dark. I like the bass which is quite bassy and I also like the vocals which I said a million times now I got off Splice.com. It’s also something to have on in the background in your house or whatever and I think is kind of a hype song but is also chilled but still danceable. The next track Every Time is my overall favourite on the EP and I like the Darkness and shock-out appeal to it but again it’s also one for the bedroom or wherever you are listening music to. I used cinematic loops which I found on Splice.com and liked the sounds. I think it sounds a bit mysterious and deep and reminds me of being in a rave dancing 100 miles per hour. I love the breaks on this one they are frantic and choppy which is what I like in my breaks and favour more but I like to vary it with other kinds of breaks for the sound difference. The last track Close Your Mouth is another favourite on the EP. I like the feel of it and feels like you are walking down the street on a nice day. I also like the breaks which are also the breaks I favour when making Jungle/Drum and Bass and think they also go well with the stuff I put in. It’s a nice happy jolly track that is danceable or for chilling with but more for dancing as I like to make music to dance to. Â